Showing posts with label mp3. Show all posts
Showing posts with label mp3. Show all posts

31 July 2008

Keeping It Sweet

You should definitely check out Wild Sweet Orange if you haven't already. Their five-song EP, The Whale EP caught my ears when I threw a song of theirs on a random mix CD. Now, I'm looking forward to picking up their full-length, We Have Cause To Be Uneasy (yep, that get my vote for best album title of the year).

Additionally, they will be playing the Village Tavern, August 31. You should go. I'll be there. It'll be fun. I'll buy you a drink. And I promise not to hit on you...much.

Also, here's an mp3 from The Whale EP:
Wild Sweet Orange, "Wrestle With God" (Thanks, Spinner)

And let the pissing match begin
. Who's got their money on Gretchen Wilson shutting them down? Yeah, that'd be me...as much as I dislike that no-talent redneck hack wannabe. Gretch Wilson, not Chris Robinson.

13 June 2008

Surrey Is a Word I Hardly Ever Use

The Trouble With Sweeney, "(I Know You Destroy)"
Burnt Toast Vinyl, 2003

This gem was leftover from last Sunday's house cleaning. It's one of the better literary-pop bands you've never heard of. At first listen "(I Know You Destroy)" offered me little in the way of enjoyment. The songs seemed too plodding to be considered pop and the poppier ones seemed too dense to be appreciated. But, ever the faithful listener, I kept spinning it. And eventually I decided I still didn't like it. So I shelved it.

But have you ever been drawn to an album simply because of the way it looks on your shelf? Or its album title? Yeah, me neither.

The Trouble With Sweeney will, however, grow on your skin like so many barnacles. Their lyrics are a plaintive mixture of novelty and sincerity and their melodies are whispers on a Philadelphia street (the band's hometown); akin to a Virginia Woolf novel with more structure and narrative. I believe I read that their lyricist completed his PhD in History after completing this album and was a music journalist for a while. If that's true, it shows in the subtlety of the song structures and in lyrics like ("If you're worried that I'll snitch/you really shouldn't bother/you can rest assured/I'm telling everyone I know).

After a quick check of their website, it looks like the band is on semi-permanent hiatus. In the meantime, check out two of their best tracks for download, both from "(I Know You Destroy)."

mp3: The Trouble With Sweeney: "The Break Up"
mp3: The Trouble With Sweeney: "The Snitch"

06 June 2008

Take More But Give Less

Ha Ha! Now I will make believers of you all. Here are some photos from The Helio Sequence/The Explorer's Club show at the Village Tavern last Friday night. All of these will be posted on Flickr this weekend, but enjoy these for the time being.






We're sweating our nads off here in Charleston: 105 degrees, full humidity.

mp3: Sigur Ros--"Gobbledigook" (follow the link and enter your email address for a free download)

What? They're from Iceland...where I wouldn't mind being right now.

11 March 2008

Saturday Night's Alright...For Being Alone

The weekend was spent in the comfort of my home, mostly due to the fact that I locked my keys in my car Friday morning at work. With no way to get in until Monday, I hunkered down and did what any late-twenty-something would do on a Saturday night in a bustling town: painted my guest room.


The soundtrack of our nights:
Ryan Adams--Rock n' Roll
...still just a genuine throwaway CD. I was really only in the mood to hear "So Alive" and "Note to Self: Don't Die."
Various Mix CD
...compiled by Fletch in 2003. Lots of emo, the irresistable kind; especially from a band called, Believe In Toledo. (Now defunct?)
Braid--Frame & Canvas
...is it wrong to call it emo? Doesn't feel like it. This album might crack my Top Ten. The first three songs are flawless.
Modest Mouse--We Were Dead Before the Ship Even Sank
...completely overlooked in my opinion. It received above-mediocre reviews mostly, I believe, due to the fact that critics only focused on the fact that Johnny Marr was now a part of the band. Isaac Brock's songwriting on this one was the gem, though. Don't believe me? Listen to "Missed the Boat" and "Parting of the Sensory."
Silversun Pickups--Carnavas
...summed up best by Nick Frost as "the band that Smashing Pumpkins could have been, if the Pumpkins didn't suck."
The Thermals--The Body, The Blood, The Machine
...stayed on my player all last summer. Still a solid album and great freakin' songwriting (e.g., "I regret leaving my mind/I forgot I needed it to think/and maybe to keep me alive/can't believe I got so far with a head so empty")

Never made it to:
Constantines--S/T
...but I plan on rectifying that siutation today. In the meantime, looking forward to the new Constantines, Kensington Heights. (Those boys look like extras from The Lost Boys in that picture, don't they?) Here's an mp3 link courtesy of Sixeyes.

Link for today:
Test your music IQ. 30 questions, and it's a lot of fun. Although what's scary is how accurate the descriptions of the your music personality are. I'm a Mix Tape DJ--what the hell are you?

04 March 2008

A Secret Knock

Here's an older review I wrote that never saw print. Citified are an amazing band from Greensboro, NC. They've got a new CD/EP, "The Meeting After the Meeting," out March 25 on Eskimo Kiss Records. Pre-order it now at the record label's site and pick up their first self-titled album while you're at it.

Citified – S/T
Eskimo Kiss Records, 2005
Capturing the sound of distance and disparity isn’t an easy task, especially when it comes to music. A few artists have managed to do so accurately within the last decade or so, but those tend to be the ones that bounce through our heads after we’ve fallen asleep. Most recently, Sun Kil Moon perfected the sound of distance (something The Red House Painters had been trying to do for years) with their sprawling-yet-intimate “Ghosts of the Great Highway.” Before that, there were about a dozen or so bands with the ability to convey intimacy through songwriting and music combined. I believe it’s safe to say that R.E.M.’s “Murmur” claims that stake without much competition.
Taking their lessons from these great bands, Greensboro, North Carolina’s Citified has made a convincing case to be placed among the ranks with their self-titled album. Filled with evocative vocals and hollowed out guitar sounds, Citified has created an album that could pass as the soundtrack to both Christmas and summer—a quality that makes it listenable at all stages of the day, pre-dawn to post-midnight.
There’s enough reverb here to satisfy your midnight loneliness, and enough punch to keep you in steady motion while walking. But the strength of Citified lies in the functionality of the album as a whole. Coming in just under 19 minutes, there’s no room for filler, there’s just a short trip of an album that will get you wherever you need to be in a day’s time—twice.
While I can imagine other listeners being put off by the relatively short nature of the record, the more you listen to it, the more you realize how much the length benefits the subject matter. Distance—a key theme to the record as evidenced through titles (“Overseas,” “Going Places,” and “Stopping the Clock”)—is best conveyed in repeated short bursts like day trips or stop lights, because that’s when it’s most apparent to our minds and ears. As such, multiple listens are not only recommended, but required, because what Citified has managed to do is eliminate all of the excess of rock/indie rock and focus in on the experience and continuity of listening—a trait that somehow goes overlooked in most bloated, 13-14 song, albums.
Chris Jackson’s vocals and mysterious lyrics keep the songs afloat, and when he steps away from the mic, a single, jangly guitar line—often just two or three notes—picks up right where he left off. For example, “Secret Knock” is lifted to a whole new level by eventual fade of Jackson’s vocals and lyrics, and a breakdown that culminates in a picked acoustic guitar and a tenor cry. “Going Places” has the best accentuated two note guitar lick I’ve heard in a long time, not to mention the most haunting melody of all the songs on the album.
Citified’s album cover shows an extreme close-up of buildings and skyscrapers in an exaggerated, silver-age comic book color format. It reminds me of Seurat’s pointillism, and the theory that accompanies it: up close the picture appears blurred and spotted, but the farther one moves away from it, the clearer the picture becomes.
By placing distance into their music, but remembering that the whole is greater than the individual parts, Citified have accomplished with incredible accuracy what many artists fail to do: create a solid album that is both evocative and indicative of the landscapes within the listener’s own mind.

From the upcoming EP, "The Meeting After the Meeting:"
Citified - Read Like a Number - mp3